Sunday, March 16, 2008

The Poetry of Frank Stanford

Here is a fantastic article about Frank Stanford.

And a selection of his poems online.

And a selection from "The Battlefield Where the Moon Says I Love You."

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Thursday, April 12, 2007

Reginald Shepherd on the Long Poem

Shepherd, Reginald. "Short Thoughts on the Long Poem."

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Grenier's Sentences

Sentences, by Robert Grenier.

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Tuesday, April 3, 2007

Light and Dust

Not new, but it's good to have this link handy:

Light and Dust Anthology of Poetry

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Tuesday, March 27, 2007

Improvised Maps: Tracking Wildfire

Here is an interesting example of a long poem project and its bibliographic references:

Brady, Andrea. "Tracking Wildfire." As part of the Dispatx Art Collective.

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Sunday, February 4, 2007

Writer or Dilletante?

An argument against the all-inclusive belief that anyone can be a writer (or artist, or bedroom musician).

Sinclair, Jenny. "Wannabes beware, writing isn't a matter of staying the course," The Australian, 27 January 2007.

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Wednesday, January 17, 2007

Time in the Longpoem

Rediscovered this essay by Ron Silliman on the long poem.

Silliman, Ron. "'As to Violin Music': Time in the Longpoem," Jacket #27, April 2005.

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Sunday, January 14, 2007

Poet in Residence?

A brief history of, and back-and-forth about, "poets in residence" programs.

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Thursday, January 4, 2007

Duration Press PDF Resource Library

PDF Resource Library at Duration Press

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Nate Mackey interview

"Creative Alchemy," Nathaniel Mackey interviewed by Bill Forman

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Tuesday, January 2, 2007

Innovative Audiences

Related to that Poetry Magazine exchange on the social aspect of poetry, here is a wiki dealing with audience for innovative poetry.

innovativeaudiences

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Early and Clairvoyant Journals

Hannah Weiner's Early and Clairvoyant Journals

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Eclipse

Here is a press, edited by Craig Dworkin at University of Utah, with an archive of key texts.

Eclipse

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Does Poetry Have a Social Function?

This article inspired me to finally organize all of the interesting things I've collected.

"Does Poetry Have a Social Function," by Stephen Burt, Daisy Fried, Major Jackson, and Emily Warn.

I particularly responded to this by Major Jackson:

Whether as a form of witness, as a medium which dignifies individual speech and thought, as a repository of our cumulative experiences, or as a space where we "purify" language, poetry, like all imaginative creations, divines the human enterprise. This is poetry's social value. . . . one of poetry's chief aims is to illumine the walls of mystery, the inscrutable, the unsayable. I think poetry ought to be taught not as an engine of meaning but as an opportunity to learn to live in doubt and uncertainty, as a means of claiming indeterminancy. Our species is deeply defined by its great surges of reason, but I think it high time we return to elemental awe and wonder. Such a position is necessary to our communal health.

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